Is the Sigma 35mm f/1.4 better than other Nikon 35mm primes? How does it perform wide open and when stopped down? How does it handle? In this review, I will do my best to answer these and other questions and will show you samples from the lens, with comparisons against the Nikon 35mm f/1.4G, Samyang 35mm f/1.4 and Zeiss Distagon T* 35mm f/1.4 lenses. Typically, when there is a heavy back/front focus deviation, you have to send the lens to the manufacturer. In addition, starting from the new line of lenses, Sigma is now allowing photographers to update firmware on lenses and adjust lens parameters such as focus, which again, no other manufacturer currently offers. In fact, the Sigma 18-35mm f/1.8 was world’s first fast-aperture DSLR zoom lens. This resulted in new optical designs like Sigma 200-500mm f/2.8 APO EX DG and Sigma 18-35mm f/1.8 DC HSM that have no equivalents on the market. During recent years, Sigma has taken steps to not only tighten its quality assurance processes, but it has also been spending a lot of resources on R&D. This had to do with a number of factors, one of which was poor quality control that resulted in a lot of variances. In the past, Sigma lenses were mostly regarded as “second grade” when compared to the big brands. The lens rivals other fast 35mm primes from Nikon, Canon and Sony, and unlike the branded versions that are in the $1500 range price-wise, the Sigma is actually the cheapest of the group at $899 MSRP. Unlike cheaper cropped-sensor lenses, the Sigma 35mm f/1.4 is designed to work on both APS-C / DX and full-frame / FX sensors. Thanks to its large aperture of f/1.4, the lens is not only great for low-light photography, but it also can effectively isolate subjects from the background due to shallow depth of field, beautifully rendering background highlights, also known as “ bokeh“. Being a professional-level lens targeted at a variety of photography needs, including portraiture, landscapes and travel, the 35mm f/1.4 is the first Sigma lens that falls into the “Art” category. The announcement came on the same day with Sigma’s new restructuring of its lens lineup, with three new categories that would differentiate different types of lenses: “Contemporary” for small and lightweight consumer lenses, “Art” for professional zoom and prime lenses and “Sports” for long lenses targeted at sport and wildlife photography. Categories: Standard, Class: Art, Typical Photography: Travel, Wedding and Events, Portrait, Specialty, High-speed with Large Aperture, Accessories Include: Lens Hood (LH730-03), Carrying Case, 35 mm f/1.4 DG HSM is a State of the Art Lens Designed for Full Frame Cameras but can Also be Used with APS-C Sensors as Well, Includes New Features Based Around a Unique Lens Concept and Design, 35 mm is a Staple Focal Length in the World of Photography and Paired with Sigma Technology, The Lens is Equipped with Technology Including a Hyper Sonic Motor (HSM), Floating Internal Focusing System, SLD and FLD Glass Elements, The HSM Ensures Quiet, High Speed, Accurate Autofocusing while the Floating Focusing System Allows for Superior Optical Performance with Subjects at a Closer Shooting Distance, SLD Glass Elements Along with the FLD Glass Elements which are Equal to Fluorite, Help Correct Both Axial and Chromatic Aberration, Large f/1.This is an in-depth review of the Sigma 35mm f/1.4 DG HSM Art prime lens that was announced at one of the largest photo shows in the industry, at Photokina in Germany on Septemfor Sigma, Canon, Nikon, Pentax and Sony mounts.
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